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This diary is my fourth book, a collection of twenty compositions representing the thought and certainties of our modern age. Tales about a not very distant past that could be identified with today's reality, the present not reviewed journalistically, people who do not have common public representations, too busy in a certain sense to think what they could never do, until what was taken away from them to not understand a contemporary good or evil. You also tell autobiographical stories like personal experiences with others or possessions, peace and pain, miracles, love and friendships.<br><br>This diary is the fourth book written by me, a collection of twenty compositions representing the thought and certainties of our modern age. Tales about a not very distant past that could be identified with today's reality, the present not reviewed journalistically, people who do not have common public representations, too busy in a certain sense to think what they could never do, until what was taken away from them to not understand a contemporary good or evil. You also tell autobiographical stories like personal experiences with others or possessions, peace and pain, miracles, love and friendships. Do you declare yourself and the world as a hobby or sport or? You need to declare yourself and the world according to your own experiences in concrete human and material relationships. It is a diary written in a simple way, a phenotype of Christian and present feelings, it wants to represent a door to the future, a new party. The period of letters reaches from August 2010 to May 2013.

A short collection of surreal tales with a strong emotional impact.<br><br>A short collection of surreal tales with a strong emotional impact. A constant remembrance to the inner ghosts of our lives, painted with intensity and delicacy.

A historical novel set in Tuscany in the 18th century, during the enlightened government of Pietro Leopoldo of Hapsburg Lorraine. Autobiographical memories of the Grand Duchess Maria Luisa, his wife and confidante.<br><br>“Vienna 1792. Maria Ludovica of Bourbon, the Spanish Infanta, for many years Grand Duchess of Tuscany and now Empress of the Holy Roman Empire, watches impotently the sudden death of her beloved consort, Pietro Leopoldo of Hapsburg, and from that moment begins almost frenetically to rekindle, one after the other, her innumerable memories of a life, still short, but intensely lived, beside the man who, since their first meeting had fascinated and conquered her, and to whom she had been a discrete and faithful companion. Public facts are weaved together with private feelings, with joys and suffering, in a sequence of urgent events. The Empress unconsciously knows, has always known, that she cannot survive for long (Editor’s note: she will in fact die just two months later) after the death of her husband and therefore must hurry to organise her memories, to finally manage to give an answer to the most important question for her: what did she really mean to him? Only a political and dynastic link, the mother of his children, friend and confidante or the woman he loved notwithstanding everything?”

The night was dark. Suddenly, a great glow came through the window and such clarity flooded the room that woke me up. Amazed, I looked everywhere. What was going on? I rubbed my eyes and I really didn´t know if I was still asleep and that was a dream. I sat up in bed. I had to see what was happening because I did not understand what had happened. Trying to wake up a bit, I put my feet on the floor and the coldness of the tiles ended up waking me up. I saw that I was in my bedroom and was still at night. Through the window, nothing could be seen, only darkness, not a single star in the sky could be seen. But in my head, still dazed, I remembered what had woken me up. Although I didn´t know what it had been, a feeling came to my mind, something like a great light, or a glow, maybe it would be a flash light.  

No one could have told me, and if they had, I would not have believed them, that I would be a writer, considering how difficult it was for me to read as a child. Despite this, circumstances had forced me to this profession, since having as much time as I had now, locked up for life, I wouldn't have much else to do. It is true that some prisoners were engaged in exercising in the yard, and besides studying in the library, the weakest of them took training courses, but all of them have something that I do not have, an ideal to fight for and move forward. With a sentence of a few months or even years, it is easy to think that the preparation will serve them well for something, and that it will be easier to make a living outside this prison, but in my case, with the certainty that I will never step outside again, what's the point of getting ready?

Two youths, Sam and Stacie, live College years in full symbiosis. Year in and year out, circumstances and ambitions change. The two main characters separate and live two parallel lives. After some time, coincidentally, their fates will cross again but the background is no longer the carefree time of the College.

Sometimes the past come back. An aftermath with the florentine Pazzi’s conspiracy that continues to resurge from history. Get ready to discover secrets of the Italian Renaissance that you didn't even suspect.<br><br>Sometimes the past comes back and recall. This is an italian historical novel born from a fact really happened in 2010 in Forlì, north Italy, when some people told in the local chronicles, they saw a ghost in the old town hall, who was walking around with part of his head smashed, complaining about something. But who was that ghost? Why was his head bashed in? What was he complaining about? This book tells the story of a man called Girolamo Riario, first husband of Caterina Sforza, nephew of the Pope and chief commander of ”Santa Romana Chiesa” who was murdered over five centuries ago in the city of Forli for an aftermath with the florentine Pazzi’s conspiracy, and seems resurge from the past but no one seems to remember it. A Medici's settlement for the the Pazzi’s conspiracy that continues to resurge from history. Get ready to discover secrets of the Italian Renaissance that you didn't even suspected.

AN AMAZON BEST SELLING BOOK FOR KIDS! *2020-2021 One Book One School Book of the Year* **Purple Dragonfly Book Award First Place Winner** Should Sophie Stand Up to the School Bully or Become a Snitch? There's nothing worse than being a tattletale... That's what 10-year-old Sophie Washington thinks until she runs into Lanie Mitchell, a new girl at school. Lanie pushes Sophie and her friends around at their lockers, and even takes their lunch money in this entertaining chapter book for middle grade readers. If they tell, they are scared the other kids in their class will call them snitches and won't be their friends. And when you're in the fifth grade, nothing seems worse than that. Then a classmate gets seriously injured and Sophie needs to make a decision: fight back, or snitch? Here's what Goodreads reviewers say about Sophie Washington: The Snitch: "Great children's book that teaches children practical and valuable life lessons." "This would be a great book for the counselor, the library and the classroom ready for reading!" "I liked that, while a heavy subject matter, the book never felt preachy." "Good story about bullying and standing up for what's right." This is the second book in the Readers' Favorite five star rated Sophie Washington book series.

This book is the second handbook-an account of contemporary life and personal diary written by me. The real joy that our time gives back through experiences, not a rediscovery of new technologies but a function in different historical and geological periods, what has already created it according to explanations of events and their solutions. A walk in the light of the Sun of the facts and enchantments, sometimes never revealed, perhaps too new and unusual, in a community that already has long been in need, as a wider and more slender voice, a tool to better insist on the day, really is not in a dream. Diary written in a simple way for a textual artistic form to justify even an initial and uncultured experience today. In style James Joyce's Ulysses is a book of good as a form of life, of art of the present, fundamental to exist free, alive is for sure. The period of the sixteen letters contained reaches from April 2007 to October 2008.

This diary is my third book, an exploration of urban and suburban environments to observe humans and modern objects. Representations in philosophical or mathematical form in order to find the right amount of motion, the proof that good is a higher feeling than an evil, the right repetition of always the same things to confirm that here one cannot say the false is even less realize it.<br><br>This diary is the third book written by me, an exploration of urban and suburban environments to observe humans and modern objects. Representations in philosophical or mathematical form in order to find the right amount of motion, the proof that good is a higher feeling than an evil, the right repetition of always the same things to confirm that here one cannot say the false is even less realize it. A certain practicality that can be associated with a manual on socio-political rights, then the different forms of exit from a modern unhealthy or incorporeal being. The becoming of one's own experiences, of one's own dreams in their reality, without basic problems to confirm an overall human evidence, finally the transfer of social and anthropic material so much contested in these years after the year two thousand. The period of the twenty-one letters contained reaches from December 2008 to July 2010.