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“You were everything, but her, Sienna.” “You shouldn't have married me then if you knew that you'd feel this way!" She snapped. “I married you out of pity, aren't you grateful? I saved you from the pathetic life that you were living and thought that you deserved a decent living, you don't have to act like the spoiled brat that you are.” “I can't believe I thought you were a man. You're no man Sebastian Frost, but a heartless monster!” *** Sienna is left heartbroken after her divorce from Sebastian, who had married her as a substitute wife. After five years, Sienna returns to New York a changed woman with twins who are five years old and a man. She did not expect to see her ex-husband, Sebastian Frost, hotter than ever. And not only has he gotten hotter than ever, but he also wants her back. But a nemesis from the past will not live to see that happen, nor the secrets that were meant to be left behind. Will Sienna forgive Sebastian after all that he did to her?

This book is the first handbook about being contemporary and personal diary written by me. The calm of well-being, of inventions. The three-dimensional aspects of concrete and human objects, for a research in individual thought. A work that frees from stylistic commitments, mistakes are everyone's, the present must be represented but, without the fear of having made a bigger mistake than the previously accepted silence. By choosing a speech, it promises a definitive daily solution to rhetorical-historical art. It describes my experiences, imaginatively the memories of a good in the land of evil. Diary written in a simple way, a textual form to fill even an absence of complete information about the right to good, which characterizes an insensitivity in public and journalistic publications. A phenotype inclusive of modern material, Christian and Arabic objectivity. It wants to represent a door to the future, a new party. The period of the eighteen letters contained reaches from August 2005 to March 2007.

"The perfect combination of sweet, sexy, and make-you-grin moments." - Lyssa Kay Adams, author of The Bromance Book Club "An ode to everything we love about rom-coms." - Alexis Daria, author of You Had Me at Hola In her trade paperback debut, Melonie Johnson brings her signature humor, sexy romance, and strong female friendships in this hilarious romantic comedy about finding perfectly imperfect love, Too Good to Be Real . She plans to prove there's a dozen reasons why life isn't like a romantic comedy, only to discover the one reason it is… While her friends wish for meet cutes worthy of their favorite rom-coms, Julia is ready to give up on love. Swiping right has replaced getting swept off your feet and good old-fashioned romance has become, well, old-fashioned. A writer for a popular website, love becomes the last thing on her mind when impending layoffs threaten her job. As Julia searches for the ultimate pitch to impress her boss, she stumbles upon a resort offering guests a chance to live out their romantic comedy dreams. Real life dating is so bleak, who wouldn't want to spend a week in a fantasy rom-com world with your best friends? At the resort, Julia literally falls into a not-quite-meet-cute involving an aggressive seagull and an adorably awkward guy named Luke who is also participating in the rom-com experience. Julia hides the fact she is there to do a story, but Luke harbors a few secrets of his own. Among further encounters with thieving seagulls, a gaggle of corgis, kisses in the rain, and even a karaoke serenade, their feelings deepen quickly. But could their love be real when they haven't been honest about their true identities? Once the fantasy is over, can they have a relationship in the real world?

Longtime manuscript editor and Chicago Manual of Style guru Carol Fisher Saller has negotiated many a standoff between a writer and editor refusing to compromise on the “rights” and “wrongs” of prose styling. Saller realized that when these sides squared off, it was often the reader who lost. In her search for practical strategies for keeping the peace, The Subversive Copy Editor was born. Saller’s ideas struck a chord, and the little book with big advice quickly became a must-have reference for copy editors everywhere. In this second edition, Saller adds new chapters, on the dangers of allegiance to outdated grammar and style rules and on ways to stay current in language and technology. She expands her advice for writers on formatting manuscripts for publication, on self-editing, and on how not to be “difficult.” Saller’s own gaffes provide firsthand (and sometimes humorous) examples of exactly what not to do. The revised content reflects today’s publishing practices while retaining the self-deprecating tone and sharp humor that helped make the first edition so popular. Saller maintains that through carefulness, transparency, and flexibility, editors can build trust and cooperation with writers. The Subversive Copy Editor brings a refreshingly levelheaded approach to the classic battle between writers and editors. This sage advice will prove useful and entertaining to anyone charged with the sometimes perilous task of improving the writing of others.

Part memoir, part cultural exploration, this book covers the author’s journey as she grows up in an evangelical Christian home, leaves religion behind as a young adult, and goes on to raise children in a family outside of religious belief. Maria Polonchek weaves a personal story with up-to-date studies and philosophic exploration of what it means to raise secular children in an otherwise religious world. Offering careful and respectful advice for other parents who are raising their children outside of a particular religious belief system, she explores the many other ways of instilling identity, belonging, and meaning into our lives and the lives of children. Honest and irreverent, the author admits to her religious “baggage” and searches for better understanding of such topics as religious education, morality, awe, death, purpose, and meaning, and tradition from secular perspectives. She interviews experts, looks at various studies, and turns to a variety of sources for answers, while maintaining a casual and personal tone. While she ultimately argues for parents to let their children shape their own beliefs, she encourages families to tend to existential and social needs that sometimes go unnoticed or unconsidered in life outside religion.