Contemporary audiobooks Audiobooks

"I am a monster, Miss Hart. You wouldn't want nor wish to see me..." He is mysterious and brilliant, wealthy and prominent, but no single soul has seen him in person. Well, no one should see him—that's one of his many rules. No one can touch him either; that's another rule. Except for me because I have broken every rule. Now I'm extremely drawn to him. His peculiarity is out of this world, and his beauty is beyond physical. But the Master has demons of his own and is being chased by his brutal past. Suddenly, we've become the reflection of each other's nightmares. I realize that the Master and I are not so different. Is this newly found bond just another uncertain fate that could deepen our wounds, or is it finally going to be our redemption?

One Town. Three Romances. Five tales of rebellious love. Rebel. (ˈrebəl) Noun. A person who resists rules or norms. Defiant, disobedient. Unruly. Subverts authority, control, or tradition. This collection of new-adult, coming-of-age contemporary romances includes a sultry summer romance about a nerdy heroine and a reformed bad boy finding their HEA; a second-chance, friends-to-lovers, “what happens in Vegas” vacation romance; and an ugly duckling MMF ménage tale. With a heat level of scorching, each story takes place during a different season and is set in a small coastal town in southern Maine. VOLUME 1: THE DUALITY PRINCIPLE VOLUME 2: THE HIERARCHY OF NEEDS VOLUME 3: THE SPECTRUM OF DESIRE* VOLUME 4: THE THEORY OF DEVIANCE VOLUME 5: THE PUNISHMENT DOCTRINE* *

Christi Barth’s smoking-hot contemporary romance series continues as the five best friends who survived a tragedy as teenagers take to their Naked Men podcast to open up about women. In Giving It All, the group’s globe-trotting hunk discovers that you need to go home to find love. Logan Marsh never stays in one place for long. Through his family’s foundation, Logan spends his days traveling to the world’s most dangerous places to deliver disaster relief, which really puts a damper on his sex life—until he reconnects with his high-school crush. Stranded together in the Caribbean, they enjoy a steamy fling that awakens feelings Logan has ignored for too long. But family drama calls him away from her sweet embrace . . . or so he thinks. Brooke Gallagher loved being a home economics teacher and cheerleading coach. Then an unexpected tragedy forced her to take some time off. Now she’s back in D.C. and despite the intensity of her tropical encounter with Logan, she’s shocked to bump into him again. Logan’s dealing with his own issues (including a newly discovered half-sister) and he’s itching to get back on the road. More than anything, Brooke wants to be there for him. But first, he has to decide if love is enough to keep him in one place. Catch all of USA Today bestselling author Christi Barth’s charming Naked Men novels: RISKING IT ALL WANTING IT ALL GIVING IT ALL TRYING IT ALL

Spinning-off of her beloved Morgan Ranch series, New York Times bestselling author Kate Pearce launches a new contemporary Western romance series about a neighboring ranching family trying to lasso love . . . It might be the pride of hard work on rugged terrain, the welcoming community, or the memories—but wherever the folks of Morgantown may roam, they have a way of coming back to the ranch . . . There’s a reason Jackson Lymond left the Air Force, but he’s not telling a soul. He’d rather keep things simple, while trying to start a new life helping his older brother on their northern California ranch. At least Morgantown’s flirty local bartender can keep his mind off the past—that is, until he runs into Daisy Miller . . . Daisy doesn’t really expect Jackson to remember her. Back in school she did her best to blend in—and pretend she didn’t have five brothers who’d hogtie any boy who even looked at her. These days though, she and Jackson might have more in common than just their ranching relatives. After all, they both left home only to return. Trouble is, under the watch of her fiercely protective family, Daisy is longing for some privacy. Letting Jackson into her life could make that even more difficult—or it might be the second chance they’re both looking for . . . “Pearce’s fans and contemporary romance readers will want to pick this one up and read it to the end.” —Publishers Weekly

This book is the first handbook about being contemporary and personal diary written by me. The calm of well-being, of inventions. The three-dimensional aspects of concrete and human objects, for a research in individual thought. A work that frees from stylistic commitments, mistakes are everyone's, the present must be represented but, without the fear of having made a bigger mistake than the previously accepted silence. By choosing a speech, it promises a definitive daily solution to rhetorical-historical art. It describes my experiences, imaginatively the memories of a good in the land of evil. Diary written in a simple way, a textual form to fill even an absence of complete information about the right to good, which characterizes an insensitivity in public and journalistic publications. A phenotype inclusive of modern material, Christian and Arabic objectivity. It wants to represent a door to the future, a new party. The period of the eighteen letters contained reaches from August 2005 to March 2007.

“The grand master of the contemporary thriller.” —Douglas Preston, #1 New York Times bestselling author When Kirk McGarvey investigates the mysterious death of his parents so many years ago, he uncovers long-buried secrets that put him head to head and mano a mano with . . . Vladimir Putin. After Mac calls Putin out, the Russian dictator decides he wants him dead. Battling Russian hit squads as well as enemies at home, McGarvey must fight like the devil to save the himself, his friends, and the US of A in this engrossing international thriller from David Hagberg.

This diary is my fourth book, a collection of twenty compositions representing the thought and certainties of our modern age. Tales about a not very distant past that could be identified with today's reality, the present not reviewed journalistically, people who do not have common public representations, too busy in a certain sense to think what they could never do, until what was taken away from them to not understand a contemporary good or evil. You also tell autobiographical stories like personal experiences with others or possessions, peace and pain, miracles, love and friendships.<br><br>This diary is the fourth book written by me, a collection of twenty compositions representing the thought and certainties of our modern age. Tales about a not very distant past that could be identified with today's reality, the present not reviewed journalistically, people who do not have common public representations, too busy in a certain sense to think what they could never do, until what was taken away from them to not understand a contemporary good or evil. You also tell autobiographical stories like personal experiences with others or possessions, peace and pain, miracles, love and friendships. Do you declare yourself and the world as a hobby or sport or? You need to declare yourself and the world according to your own experiences in concrete human and material relationships. It is a diary written in a simple way, a phenotype of Christian and present feelings, it wants to represent a door to the future, a new party. The period of letters reaches from August 2010 to May 2013.

This book is the second handbook-an account of contemporary life and personal diary written by me. The real joy that our time gives back through experiences, not a rediscovery of new technologies but a function in different historical and geological periods, what has already created it according to explanations of events and their solutions. A walk in the light of the Sun of the facts and enchantments, sometimes never revealed, perhaps too new and unusual, in a community that already has long been in need, as a wider and more slender voice, a tool to better insist on the day, really is not in a dream. Diary written in a simple way for a textual artistic form to justify even an initial and uncultured experience today. In style James Joyce's Ulysses is a book of good as a form of life, of art of the present, fundamental to exist free, alive is for sure. The period of the sixteen letters contained reaches from April 2007 to October 2008.

Do Not Read As A Stand Alone. The guys of major rock band Thick as Thieves come together in this novella, to say goodbye to a beloved friend. Noah will reach an all time high of anguish, sorrow and pain and none of the group, even Carrie, know if he will survive. Saying goodbye may prove too much for Noah, but with TAT at his side he might pull through. This is and Adult Contemporary Romance and not intended for readers under 18. Strong language, sexual content and, well, Noah Beckett so it's reader beware.

EloIsa, an old woman who in her youth was brutally sexually abused by three masked men, remembers on the last day of her life the stark story that marked her. She tells it to one of the nurses in the sanatorium in which she is dying while allowing her to scrutinize a ringed booklet that contains printed all the letters that she exchanged in his youth with Abelard, the only love of her life.<br><br>Maenza reflects on the psychological, ethical and philosophical aspects of western love and weaves a sweet and intelligent discourse where time, love rites and erotic presence are subtly addressed. It includes a singular vision of writing and a very particular and symbolic Theory of Affection that is used in its analysis of the metaphysics of colors, the zodiacs, the sensations coming from the senses, the imaginary of the alchemist beasts, the classic elements and the arcana of the Tarot. In an age where relationships are made with the dizzying modernity and liquid love swarms (according to Bauman), ”All love letters are ridiculous” claims that secular ritual of love correspondences, increasingly in decline, and he apologizes for the slowness that Kundera claims for romances. ”All love letters are ridiculous” is constructed as a parodic narration of romance novels, but at the same time it is a modern dissertation about love coupled with a story of affection and an ending of tragedy that brings taboo themes like abuse, reification of women and contemporary violence.